<P><FONT size=3>出句:新词旧调吟春好<FONT face="Times New Roman"> [</FONT>佳人挽袖<FONT face="Times New Roman">]</FONT></FONT></P>
<P><FONT face="Times New Roman" size=3>对句:素手琴心抚月明 [微尘小驻]</FONT></P><FONT face="Times New Roman" size=3>
<P><FONT face="Times New Roman" color=#88001b>僧:吟咏春天的好,新词迎新,旧调怀旧吗?在这里,新词旧调隐含有「立足过去,放眼未来」的味道。整个上联的意象是向上提升的,对句不宜淡处理。</FONT></P>
<P><FONT face="Times New Roman" color=#88001b>所对基调过淡,没能激发生气。</FONT></P>
<P><FONT face="Times New Roman"><FONT color=#88001b>做为句中自对,「素手」对「琴心」过宽,类似「剑胆」可。</FONT> </FONT></P></FONT>
<P><FONT face="Times New Roman" size=3></FONT></P><FONT face="Times New Roman" size=3>
<P><FONT size=3>出句:几度秋风斜雁阵<FONT face="Times New Roman"> [</FONT>慕容凌儿<FONT face="Times New Roman">]</FONT></FONT></P>
<P><FONT face="Times New Roman" size=3>对句:一时冷雨断人行 [微尘小驻]</FONT></P>
<P><FONT color=#940522>僧:「几度」给人「时间」的过渡,对句「一时」也是时间概念,不是不行,给人感受面狭窄了点。或者可从「地点」著手,类似满天冷雨断人行。</FONT></P>
<P><FONT size=3>出句:诗画佐茶深得味<FONT face="Times New Roman"> [</FONT>秋风传说<FONT face="Times New Roman">]</FONT></FONT></P>
<P><FONT face="Times New Roman" size=3>对句:竹梅烹酒恰偷香 [微尘小驻]</FONT></P>
<P><FONT color=#84051e>僧:茶原有味,诗画亦有味,以诗画佐茶更知其味。</FONT></P>
<P><FONT color=#84051e>酒原有香,竹梅亦有香,仿上联意,还是香上加香。「恰偷香」给人感觉酒香是靠竹梅之香,不妥,或可为竹梅烹酒更飘香。</FONT></P>
<P><FONT color=#f70938></FONT> </P></FONT>
[此贴子已经被作者于2007-2-27 9:09:43编辑过]
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